ANA LORENTE

photographer/visual artist


PROJECTS

1880-1913 ARCHIVOS (0)
La buena esposa

No estuve allí
Happy life



CONTACT 

ana.lorente.f@gmail.com


DOCUMENT-ARCHIVE-PHOTOGRAPHY- STORIES



BIO

_Currently: artistic research (pre-doctoral) at EAPA [Advanced estudies in artistic productions] program, Faculty of Fine Arts. Universitat de Barcelona, UB.
_Master Produccion and artistic research, Fine Arts, UB, 2017.
_Photography at Superior High School of Art and Disseny Serra i Abella, EASD SiA, 2002.
_Bachelor degree History of Art. Universitat Autònoma de Barcelona, UAB, 1999.


SELECTED COLLECTIVE EXHIBITIONS

_”La buena esposa”. Photobook. Foto Colectania, Barcelona, 2018.
_“No estuve allí”. Photography. Sala Nòmada, Barcelona, 2017.
_“ttb_a.l. 3f 1P, a.f. 5f 6P”. Audiovisual with Adela Framis. Festival Loop, Espai Capra, Barcelona, 2014.
_”Persona”. Audiovisual in collaboration with Diego Mallo, Galeria Meeatings23, Barcelona, 2013.
_“Happy life”. Photobook. The Private Space, Barcelona, 2013.
_“Utopias posibles”. Photography. Museu IVAM, Valencia, 2012.
_“Migraciones. Un planeta en movimiento”. Photography. La Casa Encendida, Madrid, 2011.
_“Bosnia in transit”. Photography. Festival Inund'Art, Girona, 2008.
_“La mina”. Photography. Sonimag Foto, Barcelona, 2007.
_“Ghana 2003” Photography. Suburbe collective, Espai Barcelona, 2004.
_"Quan estaras eixuta?” Photography. XII Bienal d'Art Contemporani Sant Cugat. 2003.
_“Los ruidos del silencio” Photography. Casa Golferichs, Barcelona, 2003.
_“Les aigües de la memòria” Photography. Primavera Fotográfica, Sala Almazén, Bacelona, 2002.


COLLABORATIONS

_Co-Art director: “En frontera” (publication) by Marco Noris, 2018.
_Collaboration with different media and organizations such as Le Monde Diplomatique, Pallassos sense fronteres and the Akwaba Foundation.


SHORTLISTED

_Shortlisted. DOCfield Dummy Award Fundació Banc Sabadell. La buena esposa Fotobook, 2018.
_Shortlisted. “All self-publishing”. The private space. 2013.
_Shortlisted. XII Bienal d'Art Contemporani Sant Cugat, 2003.


  


1880-1913 ARCHIVOS (0)


(ongoing project, coming soon)



(Imágenes que faltan) is a documentary photographic research that explores the form of antifeminist discourse through stories of women which have been abused or accused during the last quarter of the 19th century and early 20th century in Spain.



Anatomical hand
Institut d’Historia de la Medicina i de la Ciència López Piñero. Valencia.


Royal College of Obstetricians and Gynaecologists London.
Mark
© 2019 Ana Lorente